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Calida Rawles: Away with the Tides

March 2025 through September 2025

Overton Park

Calida Rawles, 'Towner for Life', 2024 acrylic on canvas 72 x 102 inches 182.9 x 259.1 cm © Calida Rawles Courtesy the artist and Lehmann Maupin, New York, Seoul, and London. Photo by Marten Elder

In her first solo museum presentation, Calida Rawles envisions water as a space for Black healing. Merging hyperrealism, poetic abstraction, and water's cultural and historical symbolisms, Rawles creates unique portraits of Black bodies submerged in and interacting with bright and mysterious bodies of water. The water, a sort of character within the paintings, is embodied as a vital, organic, multifaceted material and historically charged space that signifies historical trauma and racial exclusion but also physical and spiritual healing.

In this body of work, Rawles depicts members of Miami’s historically Black Overtown, a neighborhood that went from a thriving cultural and commercial hub for Black people to a community dismantled by gentrification, systemic racism, and mass displacement. Rawles partnered with members of this community and worked with them as models. In this series, Rawles takes her practice further by photographing some of her subjects in natural waters for the first time at the historic Virginia Key Beach, which was once racially segregated. By photographing Black subjects in the ocean for the first time, Rawles probes the Atlantic’s history as the site of the supremely exploitative transatlantic slave trade. The finished works critically engage with the water-entwined climate and mine the history of beauty, oppression, and resilience in the Overtown community and the diaspora.

Calida Rawles: Away with the Tides is organized by Pérez Art Museum Miami Associate Curator Maritza M. Lacayo, with the support of Pérez Art Museum Miami Curatorial Assistant Fabiana A. Sotillo. The national tour is presented with lead individual support from Allison and Larry Berg.

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Tickets for Not-Yet-Members: $25.00

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With additional support from Cathy Ross and:

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All exhibitions at the Memphis Brooks Museum of Art are underwritten by the MBMA Exhibition Fund.

Major annual support is provided by Kay Clark and Maggie and Milton Lovell, with generous annual funding from Anonymous, Gloria and Kenneth Boyland, Holly and Paul T. Combs, Deborah and Bob Craddock, Eleanor and William Halliday, Debi and Galen Havner, Sally Hergenrader, James R. Humphreys, Jay and Kristen Keegan, the Doris S. and Hubert Kiersky Charitable Remainder Trust, Carl and Valerie Person, and Bill Townsend.

Two men sitting in gallery observing a large painting of a woman floating in water

Exhibition Photography

Artist

Artist

Calida Rawles

Rawles (b. 1976, Wilmington, Delaware; lives in Los Angeles) received a B.A. from Spelman College, Atlanta, Georgia, and an M.A. from New York University. She has had solo exhibitions at Lehmann Maupin, New York; Various Small Fires, Los Angeles; and Standard Vision, Los Angeles. Her work has been featured in group exhibitions, including the 12th Berlin Biennale for Contemporary Art, Berlin; Los Angeles County Museum of Art (LACMA); Walter Maciel Gallery, Los Angeles; LACMA9 Art + Film Lab, Inglewood, California; Rush Arts Gallery, New York, among others. Rawles created the cover art for Ta-Nehisi Coates’s novel, The Water Dancer, and her work is in numerous public and private collections, including the Dallas Museum of Art; Los Angeles County Museum of Art; Pérez Art Museum Miami; and Studio Museum in Harlem, New York.

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Curator

Curator

C. Rose Smith

C. Rose Smith is the Assistant Curator of Photography at the Memphis Brooks Museum of Art in Memphis, TN. Her dedication is not just to the art form but also to the artists themselves. Smith's mission is to offer care, elevate, and expand the voices of unexplored artists within photography history. 

Her research spans 19th–early 20th-century portraiture and portrait studios
in the US South, the history of Black and African-American photographers in the Americas and Europe, and women in photography, past and present. In previous roles, she assisted in rotating permanent collection exhibitions and managing the photography collection at the George Eastman Museum in Rochester, NY, and Boston University Libraries in Boston, MA.

Smith is a member of the Photography Network and Society of Photographic Education (SPE). She has juried exhibitions for SPE and the University of Memphis Art Museum and served as a portfolio reviewer for SPE, PhotoNola, Atlanta Contemporary Photography, and Filter Photo Chicago. She holds a B.F.A. in Photography from the Savannah College of Art and Design and
an MFA in Photography and Related Media from Rochester Institute of Technology.